Angkor What History

Angkor What Noted for its architectural and artistic perfection, not to mention its sheer size, Angkor What is the most famous and no doubt the most remarkable of all of Cambodia's ancient temples. Combining great technical mastery on an unprecedented scale with extraordinary architectural and artistic innovations, Angkor What has a unique place in the long ancient Khmer tradition of the royal "Temple-Mountain.". Built in the 12th century in the reign of King Suryavarman II, this was the residence of Vishnu, the divine palace in which the King himself was to reside after death. The construction is thought to have taken some thirty years of intensive labor.
	In the "Middle Period", notably in the 16th century, Angkor What, then known as Preah Pisnulok (the posthumous name of its royal founder), became a site of Buddhist pilgrimage not only for the Khmer people but for much of Southeast Asia, and indeed for other more distant Asian peoples. Today, the Khmer people see in "Little Angkor" (the familiar name of Angkor Vat), the symbol of their nation. Angkor What, forming a rectangle of about 1,500 by 1,300 metres, covers an area including its 190 metre wide moats - of nearly 200 hectares. The external enclosure wall defines an expanse of 1,025 metres by 800, or 82 hectares. It is the largest monument of the Angkor group.
	Site Constructed to the south of the capital (Angkor Thom), Angkor What is sited in the southeast corner of the ancient city of Yashodhara built by Yashovarman I and centred on Phnom Bakheng. The westward orientation of Angkor What is opposite to the orientation of sanctuaries dedicated to divinities. In Brahmanic funerary rituals, the rites are performed in reverse of the normal order - the ritual procession does not follow "pradakshina" (keeping the monument to one's right), but rather in the opposite direction, the "prasavya?". Hence, the bas-reliefs are to be viewed in an anti-clockwise direction.
	Exterior The moats surrounding the external enclosure of the monument are bordered by steps with a moulded sandstone perimeter, and are five and a half kilometres in overall length. They are crossed only at two places - to the east by a simple bank of earth, and to the west by a 200 metre-long and 12 metre-wide sandstone-paved causeway, lined with columns along its sides. A cruciform terrace decorated with lions, precedes this causeway and is bordered by naga balustrades.
The temple enclosure, formed by a high laterite wall incorporates a colonnade of 235 metres composed of a three-part gopura - the towers of which are cruciform in plan and galleries that link with two pavilions at either extremity which served as passageways for elephants.
	Kuk Ta Reach Kuk Ta Reach, the "Sanctuary of the Royal Ancestor" is the traditional name of the series of porticos in this colonnade leading into the interior of Angkor What. Of the many divinities and spirits worshipped here, 'Ta Reach' is by far the most important. Embodied in a colossal four-armed statue worshipped in the portico to the south of the main entrance, Ta Reach's protective powers are known throughout the Angkor region. Over the past decades, local caretakers have restored parts of the Ta Reach statue with cement. In 2003, the cement replica head was replaced by the original that had been stored for safekeeping at the National Museum of Cambodia.
Bas-Relief Galleries The bas-reliefs cover the inner walls of the galleries of the lower enclosure and comprise of panels two metres in height with a total area of more than 1,000 square metres excluding the corner pavilions. Limited to the zone that would have been accessible to the public, they represent legendary and historic scenes for the enlightenment of the faithful. These galleries, which are open to the exterior and form the temple's third enclosure wall, are sculpted in bas-reliefs representing historical and epic scenes. The friezes were, for the most part, executed during, or shortly after, the reign of Suryavarman II. Only the northeastern corner - the northern section of the eastern gallery and the eastern section of the northern gallery were left bare at that time, to be sculpted later, in the 16th century. These late reliefs are notably inferior in quality of conception and execution, due most probably to a rupture in the artistic tradition between the fall of the capital at Angkor in the 15th century and the 16th-century restoration. The scenes represented are as follows:
	1. The Battle of Kurukshetra, between the Pandava and the Kaurava families, from the Mahabharata epic tale.The reliefs sculpted on the southern section of this western gallery represent a concluding episode of the Mahabharata, a renowned Indian epic tale.This is the Battle of Kurukshetra, when the Pandava and Kaurava clans meet in final, deadly combat. Interestingly, the Mahabharata is virtually unknown in modern Cambodia. Unlike the Ramayana, which continues to permeate all aspects of Khmer culture, the Mahabharata would seem to have faded from cultural practice and memory with the decline of the Angkorian Empire.
	2. Historical scenes depicting the reign of Suryavarman II. The reliefs sculpted on the western section of this southern gallery commemorate a series of historical events from the reign of King Suryavarman II, the founder of Angkor Vat in the 12th century. As the brief inscription engraved next to the image of Suryavarman II identifies this king by his posthumous name, Paramavisnuloka, the reliefs themselves are thought to have been sculpted shortly after his death.
Hell	3. Heavens and Hells: the consequences of one's acts can be pondered as the blessed delight in celestial bliss above while the wicked suffer in agony below. The reliefs sculpted on the eastern section of this southern gallery represent the 37 Heavens and 32 Hells derived from Indian tradition. The Hells, on the lower registers, are pictured in greater detail than the Heavens above. Each Hell is in fact identified by an accompanying inscription. Thus we read "Avici", "Raurava", etc., names still known and feared in Cambodia.
4. "The Churning of the Sea of Milk". The reliefs sculpted on the southern section of this eastern gallery represent the "Churning of the Sea of Milk", a popular episode from Vishnu lore. The Gods (northern part) and the Demons (southern part) use the serpent Vasuki as a cord wound around Mount Mandara, emerging from the Sea; pulling alternately on either end of the serpent, together they churn the Sea of Milk in order to extract the nectar of immortality. Seizing the nectar as it is formed, the Gods are victorious, and thus thereafter immortal.
5. Victory of Vishnu over the Asura demons. The reliefs on this northeastern corner (northern section of the eastern gallery and eastern section of the northern gallery) were sculpted in the 16th century, some four hundred years after the original construction of Angkor Vat and the sculpture of most of the temple's gallery walls. These reliefs clearly demonstrate that, though Cambodia had by then become a Theravadin Buddhist nation, the Khmers had not yet forgotten their past Brahmanic culture. The scenes on the northern section of the eastern gallery, are thought to have been extracted from the Indian Harivamsa, show the God Vishnu, in the center, singularly defeating the Demons. 6. Victory of Krishna (an avatar of Vishnu) over the demon Bana. The scenes on the eastern section of the northern gallery, thought to have been extracted from the Indian Harivamsa, show Krishna, one of Vishnu's many avatars, defeating his rival Bana. A variety of Gods are represented here, including Shiva at the western end. 7. Combat between the Gods and the Demons. All the major Brahmanic Gods, identifiable by the attributes they brandish and the animal mounts they ride, are represented on the western portion of this northern gallery. Each God is shown in singular combat with a Demon. In a similar way to other sculpted galleries of Angkor Vat, the God Vishnu, pictured here in the center of the long panel, is pre-eminent. 8. The Battle of Lanka, from the Ramayana epic tale. The reliefs of the northern portion of this western gallery illustrate a renowned episode of the Ramayana, the Indian epic tale which recounts the exploits of Prince Rama (an avatar of Vishnu). We see here the Battle of Lanka, in which Rama's monkey army led by the monkey General Hanuman fights the Demon King Ravana's army. Rama's army seeks to rescue his wife Sita, who has been captured and held hostage in Lanka, Ravana's island kingdom.
	Preah Poan The name of this cruciform gallery - 'the Thousand Buddhas' - dates from the Middle Period, when the prestige of Angkor Vat spread across Buddhist Asia. Over the course of time the faithful erected here a great number of statues of the Buddha in stone, wood or metal, hence the gallery's name. Some of the statues still remain while others are exhibited or kept in conservation storehouses. Others have, for diverse reasons, been lost forever. Together, these Buddhist statues testify to an artistic school unique to the temple of Angkor Vat. The majority of Angkor Vat's 41 inscriptions dating from the Middle Period are found here, on the pillars of Preah Poan. Largely in Khmer, sometimes including Pali phrases, they date from the 16th to 18th centuries and record pious works performed at Preah Pisnulok by pilgrims, including members of the royal family. The authors inscribe their "vows of truth" and declare their "pure faith" in the religion of the Buddha. These stone inscriptions make an invaluable contribution to our understanding of the ideology of Theravada Buddhism as it became Cambodia's principal and official religion. Inscriptions in other languages, such as Burmese and Japanese, further demonstrate the cross-cultural attraction the temple has long exerted.
	Bakan Originally the principal sanctuary of Angkor Vat's uppermost terrace was open to the four cardinal points, and probably sheltered a statue of Vishnu, the supreme god of the temple. Later, when Angkor Vat became a center of Buddhist pilgrimage, the four entranceways into the central sanctuary were filled in with sandstone blocks; each of the newly constituted walls was then sculpted with a deep relief of the standing Buddha. In 1908 archaeologists opened the southern entranceway. In the place of any original Vishnu statue, they found multiple statue and pedestal fragments, as well as a sarcophagus. Further research carried out in the well of the central sanctuary in the 1930s revealed, at a depth of 23 meters, the temple's original foundation deposits: two circular gold leaves embedded in a laterite block.
A number of inscriptions at Preah Poan and Bakan, along with the artistic style of these Buddha figures, indicate that the enclosure of the central tower and its transformation into a Buddhist sanctuary was a royal work executed in the latter half of the 16th century. This architectural and iconographic transformation translated into space the conceptual transformation of the central Brahmanic sanctuary into a Buddhist stupa. Here the four Buddhas of the past, facing each of the four cardinal points, surround the garbha - the maternal matrix - which encloses Maitreya, the Buddha of the future. The Bakan illustrates in a most spectacular manner the evolution of Angkor Vat over time: as the ancient Vishnuite temple became a sacred Theravadin Buddhist site, Angkor Vat undoubtedly played a primary role in the conversion of Cambodia into a Theravadin nation. Angkor Vat Today Angkor Vat has always figured on Cambodia's national flag. The temple symbolizes the soul of the Khmer people, and the lasting grandeur of their past. Since December 1992, Angkor Vat and other Angkorian monuments have been classed as UNESCO "World Heritage". This is a great honor for Cambodia, and a major national obligation. We are responsible for Angkor's preservation not only before history and in respect of our ancestors, but also, today, before the entire international community.

<script type="text/javascript"><!-- google_ad_client = "pub-0987479364816224"; /* 120x240, created 4/23/10 */ google_ad_slot = "2351058116"; google_ad_width = 120; google_ad_height = 240; //--> </script> <script type="text/javascript" src="http://pagead2.googlesyndication.com/pagead/show_ads.js"> </script>

Angkor What History

The whole Angkor period spans for more than VI centuries, and more precisely from IX till XV century. During this period the Khmer empire reached its maximum splendor as one of the most powerful southeast asian kingdoms. In this period the whole area of Angkor was buit. We can consider Jayavarman II as the man that started everything. He define himself Devaraja (good king) and he established the Khmer empire in 802.

After him, Indravarman, a king considered by many of its time an usurper: we prefer to remember him for starting building the Baray, a complex irrigation system to bring waters in the area of Angkor. He also started to build the Bakong and the Preah Ko temples. His son Yasovarman went further in his father's project: he built the Phnom Bakheng and the Lolei temples, and with him, Angkor become the new capital of the kingdom. These two king further extent the Baray's system too.

Then the capital was moved to Koh Ker for a short period, under the kingdom of Jayavarman IV, an usurper, but after only 14 years Angkor become again the capital under Rajendravarman II. His son, Jayavarman V, was instead a great king, and with him the empire expanded to its maximum extent. Two wonderful temples, as Banteay Srei and Ta Keo were built.

After him, Udayaditavarman II built the pyramid of Baphuon and the western Mebon (we are now at the half of XI century), and here we are really close to the very peak of the Khmer civilization, two great king the left once forever their footstep in the history of this planet and they are Suryavarman II and Jayavarman II. The first king built Bang Melea but it also the one that built Angkor Wat. The second king has built Preach Khan, Ta Phrom and Angkor Thom.

As you will see with your eyes these last temple are traces of a high level civilization, with an exquisite taste for art. An enormous job that involved not only an army of thousands workers doing the hard job, building, moving rock and materials and so on. There was another parallel army of thousands of artists and artisans. Angkor Wat is also them. We will never know their names, or their faces, but what they left us fulfill our hearts with something magic. The walls of Angkor, they also speak about their lives, their customs, their salaries: Angkor was not only a religious place, but a capital crowded with a million people.

The great temples of Angkor Wat are situated in the province of Siem Reap. This area is considered the biggest temple complex of the world and revealed itself after being hidden in the Jungle for many years.

The whole area is about 400 km² that also includes the surrounding forest, so you will need good shoes to make it around that area by feet.

Never the less you can also visit the temple complex with a “remorque” motorbike which is a small motorbike where you can sit side by side in two behind the driver. This is a great way to visit the area as it is very cheap and the driver can tell you much about the temples and history. Taxi are available too, as well as motor and bikes for rent. For those who love to see from the top, you can rent an hot air balloon, or even an helicopter.

There are two ways to visit this area and still see the main attractions, the little circuit and the big circuit. The little circuit is 17 km and brings you to the main temples of Angkor. The big circuit takes 26 km and is an extension of the little one but continues on east side of the area.

To visit Angkor you have to pay quite a high entry fee, you have choice of three different passes which you can buy at the entrance boot. A one-day pass cost US 20 dollar, a three-day pass cost US 40 dollar and a one-week pass cost US 60 dollar. Remember to have a photo with you if you desire to buy a pass for more than one day.

There are more than a 100 temples in the whole area, more than you can see on your visit but the most famous ones you will discover during both circuits trough the temple area.

The highlights are:

Angkor Wat

This temple is 1,5 km² x 1,3km and built by Suryavarman ІІ and is considered the biggest Asian pyramid. It is 65m high and divided in several layers. The central part has on the four corners four towers in the shape of a lotus flower. This temple is the largest and most breathtaking temple of the whole complex. The most famous decorations of Angkor are the heavenly nymphs (Apsara), there are more of 300, each one is unique and in total we can group them in 30 different styles. The central temple complex is an 800 meters long bas-reliefs, includes the Battle of Kurukshetra, the Army of Suryavarman II, Heaven and Hell, Churning of the Ocean of Milk, Elephant Gate, Vishnu Conquers the Demons, Khrisna and the demon King, Battle of the Gods and the Demons and the Battle of Lanka.

The Bayon

Built by Jayavarman VII the temple stands in the center of Angkor Thom. With its 54 towers and 216 faces of Avalokiteshvara, this temple looks best in the morning just after sunrise or at the end of the afternoon as the sun shines on the faces. Its magic is does not appear from a distance, it looks more like a pile of stones. But coming close to the temple the faces start to appear and reveal its magic on you. The temple was built on 3 levels:the first 2 are rectangular, while the 3rd is circular. The Bayon has over 1.3 Km of bas-reliefs corresponding to more than 11.000 figures. Most of them depict every day's life scene of the Cambodia in the XII century. Inside the Bayon, we suggest you to visit The Cams of the Run, Linga worship, A Naval Battle, The Chams vanquished, a Military Procession, Civil War, The All-Seing King, Victory Parade, The Circus comes to Town, land of Plenty, The Chams retreat, The Chams Sack Angkor and the Chams Enter Angkor.

Ta Prohm

Still covered by the jungle this place is exactly left as they found it. The Ta Prohm is not only a possibility to imagine how the whole temple complex looked like when re-discovered in XIX century The trees swallowed the temple and nature takes back its space, and it has been left like this. Don't miss this astonishing mix of nature vs humans. The charm of this temple is, you don't know where (or when) the nature finish and the human work starts or vice versa. Amazing!

Elephant Terrace

A 350 m long terrace of elephants. It was used as a giant viewing stand during public ceremonies, royal ceremonies and so on. Many lions decorate this enormous path. Now it's surrounded by the green and very relaxing, but try and close your eyes, imagine thousands of peoples on it, then the army, the king,the music, the dance. Daydreamers will have tough time to leave this place.

Banteay Srei

This temple lays quite far from the rest but absolutely worthy to visit. The soft colors of the sand stones and the beautiful reliefs make this temple a typical example for the Khmer culture. This temple is dedicated to Shiva, its' well preserved and most of its declarations are 3D, including delicates women carrying lotus flowers, and epic scenes. This temple is 21 km far from Bayon and about 35 km from Siem Reap. It's worth a visit.

Each temple would deserve a whole book, or an encyclopedia, but this goes fa beyond the purpose of this site, that is only to stimulate your curiosity? Did we do it?

<script type="text/javascript"><!-- google_ad_client = "pub-0987479364816224"; /* 120x240, created 4/23/10 */ google_ad_slot = "2351058116"; google_ad_width = 120; google_ad_height = 240; //--> </script> <script type="text/javascript" src="http://pagead2.googlesyndication.com/pagead/show_ads.js"> </script>